One Year Ago — Hollywood and the CIA: A peek behind the curtains

“I would regularly bump into a parade of Hollywood types, including Harrison Ford and Ben Affleck. I often wondered why these actors were allowed to walk around a top-secret facility. Because he’s going to be playing a CIA guy in a movie? That’s the criteria now?”

Former CIA Analyst John Kiriakou

While discussing the movie ‘ARGO’, Ben Affleck said that Hollywood is Full of CIA Agents. Of course he would be familiar with the CIA’s Entertainment Liaison Office which works hand in hand with film studios to oversee production of major blockbuster movies.

The CIA has a long history of “spooking the news,” dating back to its earliest days when the legendary spymaster Allen Dulles and his top staff drank and dined regularly with the press elite of New York and Washington, and the agency boasted hundreds of U.S. and foreign journalists as paid and unpaid assets. Follow us on Twitter: @INTEL_TODAY

UPDATE — In early July 2017, Tom Secker and Matthew Alford reported on their astonishing findings from trawling through thousands of new US military and intelligence documents obtained under the Freedom of Information Act.

The documents reveal for the first time the vast scale of US government control in Hollywood, including the ability to manipulate scripts or even prevent films too critical of the Pentagon from being made — not to mention influencing some of the most popular film franchises in recent years.

This raises new questions not only about the way censorship works in the modern entertainment industry, but also about Hollywood’s little known role as a propaganda machine for the US national security apparatus.

US military intelligence agencies have influenced over 1,800 movies and TV shows.

The authors conclude:

In all, we are looking at a vast, militarised propaganda apparatus operating throughout the screen entertainment industry in the United States.

It is not quite an official censor, since decisions on scripts are made voluntarily by producers, but it represents a major and scarcely acknowledged pressure on the kind of narratives and images we see on the big and small screens.

In societies already eager to use our hard power overseas, the shaping of our popular culture to promote a pro-war mindset must be taken seriously. END of UPDATE

In 1977, after this systematic media manipulation was publicly exposed by congressional investigations, the CIA created an Office of Public Affairs that was tasked with guiding press coverage of intelligence matters in a more transparent fashion.

The agency insists that it no longer maintains a stable of friendly American journalists, and that its efforts to influence the press are much more above-board.

But, in truth, the intelligence empire’s efforts to manufacture the truth and mold public opinion are more vast and varied than ever before. One of its foremost assets? Hollywood.

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PS/ “According to a report by the Defense Department’s inspector general, the then-CIA Director Leon Panetta seemed to have stardust in his eyes over the prospect of a Hollywood version of the search for bin Laden. The CIA chief hoped that Al Pacino would play him in the movie. ”

Leon Panetta

Leon Panetta

Al Pacino

Al Pacino

 

CIA Pitches Scripts to Hollywood

Are you an aspiring filmmaker who wants to produce a spy thriller? Well, you’re in luck because the CIA has a pile of script ideas lying around.

Ironic, you say, that an organization known for secrecy is doling out helpful hints to Hollywood? The CIA doesn’t think so. For them it’s all about image control. And they’re just the start of it. The Department of Defense and just about every branch of the military has an entertainment industry liaison similar to the CIA’s.

If you want to make a war film and need a fleet of F-22s, a crowd of Marines, or a Navy aircraft carrier, just call up the Department of Defense’s entertainment media office and they’ll tell you if the Army can spare that M1A1 Abrams tank you’ve always wanted for a day or two of filming.

“The scripts we get are only the writer’s idea of how the Department of Defense operates,” Vince Ogilvie, deputy director of the Defense Department’s entertainment liaison office, told Danger Room.

“We make sure the Department and facilities and people are portrayed in the most accurate and positive light possible.” [WIRE]

CIA & Media Relations [From the CIA website]

Our media relations staff’s objective is to be as responsive as possible to the media and therefore the American public while protecting classified information and  intelligence sources and methods.

The Agency’s Entertainment Industry Liaison is a member of the media team and engages with actors, authors, directors, producers and screenwriters who are featuring the CIA in their creative ventures. The protection of national security equities is always paramount in any engagement with the entertainment industry.

Our goal is accurate balanced portrayal of the men and women of the CIA, their vital mission and the commitment to public service that defines them. [CIA Website]

Entertainment Industry Liaison

As an organization that plays a key role in America’s defense, the CIA is a frequent subject of books, motion pictures, documentaries, and other creative ventures. For years, artists from across the entertainment industry — actors, authors, directors, producers, screenwriters, and others — have been in touch with the CIA to gain a better understanding of our intelligence mission. Our goal is an accurate portrayal of the men and women of the CIA, and the skill, innovation, daring, and commitment to public service that defines them.

If you are part of the entertainment industry, and are working on a project that deals with the CIA, the Agency may be able to help you. We are in a position to give greater authenticity to scripts, stories, and other products in development. That can mean answering questions, debunking myths, or arranging visits to the CIA to meet the people who know intelligence — its past, present, and future. In some cases, we permit filming on our headquarters compound. (Please visit our Headquarters Virtual Tour.)  We can also provide stock footage of locations within and around our main building.

Intelligence is challenging, exciting, and essential. To better convey that reality, the CIA is ready for a constructive dialogue with a broad range of creative talents. [CIA Website]

Looking for inspiration for a new film or book? Our Entertainment Industry Liaison offers recommendations here. Check back often for his new picks.

The Vilification and Vindication of Colonel Kuklinski

HOLLYWOOD UNCUT — The history of the CIA and Hollywood

REFERENCE

How the CIA Hoodwinked Hollywood

Documents expose how Hollywood promotes war on behalf of the Pentagon, CIA and NSA — Insurge Intelligence

CIA Pitches Scripts to Hollywood — WIRE

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Hollywood and the CIA. A peek behind the curtains

One Year Ago — Hollywood and the CIA: A peek behind the curtains

This entry was posted in CIA, Hollywood, Kiriakou, Leon Panetta, Movie and tagged , , , . Bookmark the permalink.

2 Responses to One Year Ago — Hollywood and the CIA: A peek behind the curtains

  1. mohandeer says:

    All those movies where the US military and spooks always get it right – pure fantasy on the big screen. The Washington Wanks get it arse about face most of the time and it’s a cause for celebration when they actually do get something right. The only thing they are good at is death and destruction – other people, usually innocent civilians are dead and their country destroyed.
    Patriotism in the US is just another word for delusional.

    Like

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